Selected literature
- H. von Sonnenburg, ‘Technical aspects: Scientific Examination’, in: Rembrandt after three hundred years: A symposium – Rembrandt and his followers, October 22-24, 1969, Chicago 1973, pp. 83-101
- A.B. de Vries et al., Rembrandt in the Mauritshuis: an interdisciplinary study, Alphen aan den Rijn 1978
- J. Bruyn et.al., A Corpus of Rembrandt Paintings, 6 vol., Dordrecht, Boston, Lancaster 1982-2015
- D. Bomford et al., Art in the making: Rembrandt, London 1988
- E. van de Wetering, ‘The invisible Rembrandt. The results of technical and scientific examination’, in: C.L. Brown et al., Rembrandt: The master and his workshop, New Haven and London 1991, pp.90-105
- H. von Sonnenburg et al., Rembrandt / not Rembrandt in the Metropolitan Museum of Art: aspects of connoisseurship, New York 1995
- E. van de Wetering, Rembrandt: the painter at work, Amsterdam 1997
- D. Bomford et al., Art in the making: Rembrandt, London 2006
- I. Verslype, Materiaal-technisch onderzoek: wat maakt een Rembrandt een Rembrandt, in: J. Rutgers, and M. Rijnders (ed.), Rembrandt in perspectief: de veranderende visie op de meester en zijn werk, Zwolle 2014, pp. 217-255
- G. Schwartz, Concordance of Corpus numbers in vols. I-V with W numbers in vol. VI, 2020
